|
Approach
My approach to music learning is multi-faceted. Many different
applications towards learning a principle will reinforce the
learning. Fo r
example, in learning rhythm, it can be broken up into number
counts and sub-counts, broken up and defined into syllables,
associated with words, or identified with body motions. Each
approach fortifies the others and produces better understanding
for the student who can then make better applications for
their learning.
Psychology of learning
Knowing how to perform well does not automatically
make you a teacher. Psychology of learning has to do with
being able break up learning into sequential and meaningful
tasks that will enable the acquisition of knowledge and ability.
I have studied psychology,education psychology and music education
psychology and apply the insights of these academic fields
into making lesson plans for each student. Designing the learning
in this manner also helps in training the minutest, though
important, technical skill. (piano - the repeat note legato;
voice - an even vibrato; recorder - tonguing)
Clear assignments
Every lesson I print out a newly thought out, daily
practice plan, which then is honed and adjusted during lessons.
When the lesson plan is returned the next week, it is checked
off and put into each student's binder. Progress is recorded
on the categorized progress sheet in their binders.
Encouraging
environment
Lessons and assignments are designed to not overwhelm the
student, yet keep a slight challenge with simpler tasks thrown
in every once in a while for an ego boost. Mistakes are never
treated as failures and slow progress is never seen as inability.
Persistent effort is praised. Little by little, time will
ensure mastery.
|